Film

Molinare has been one of the leading post production facilities for film for 45 years. Supporting both independent and fully financed studio pictures, we are proud to have delivered a wide range of award-winning features to frontline studios and online streaming services.

 

Immersed in state-of-the-art technologies in both picture and sound, Molinare continues to deliver a commitment to film with dedication, expertise, and passion.

portfolio

Pain Hustlers

The Family Plan

Book of Clarence

Pirates

The French Dispatch

The Mauritanian

The Father

Misbehaviour

Downton Abbey

Services

Grading

Molinare’s outstanding grading services are spread over five state-of-the-art facilities, all equipped with the latest Baselight systems capable of servicing episodic productions of every scale. Our team of industry-renowned colourists has wide-ranging experience in HDR, while our latest 4k (DCI) grading theatre offers the flexibility to grade and review images with full Dolby Atmos playback.

Colour Science & Workflow Management

Molinare’s long-standing experience and heritage has allowed us to develop a deep understanding of production workflows and colour science. We have a huge knowledge base of different programming genres and can offer advice on the most appropriate workflows depending on your production, post production, and eventual delivery requirements. We are always on hand to provide advice.

Online

Our online department provides some of the most skilled editors in the industry, operating across eight Flame and Avid Symphony suites all connected via shared storage, and able to work at any resolutions. Our network infrastructure ensures high-speed performance and flexibility, enabling us to fulfil any creative and technical brief that our clients require.

Offline

Molinare has over 40 offline edit suites, comprising Avid Media Composers with centralised Avid NEXIS storage, allowing seamless project sharing between multiple suites. Our offline support team are experts in post production workflows, whether they are dealing with archive media for a documentary or 4K HDR files for a drama or feature film allowing for the seamless movement of projects from offline through to final post.

Remote Service Offering

As the demand for remote solutions has increased, we have developed a number of tailor-made solutions to cover the needs of different types of productions. We can offer remote control systems that allow a remote user to securely control equipment located within our facility, with several solutions allowing for remote viewing of material in your home or office, or while you’re on the move on a mobile device.

Sound Editorial

Molinare’s highly-skilled team of editors and sound designers are dedicated to work closely with storytellers to bring their distinctive vision to life. Supported by leading-edge technology and bespoke workflows to stay at the forefront of audio post production.

Mixing & Deliverables

Our team of re-recording mixers are dedicated to staying at the forefront of storytelling through sound. We have state-of-the-art facilities, leading-edge technology, and creatives expert at working in immersive audio formats. Our expertise in Dolby Atmos, 7.1, and 5.1 helps bring images to life.

ADR

Molinare has two theatres specifically set aside for ADR recordings and more record rooms for COVID-friendly crowd sessions. The team include world-class, award winning ADR Mixers, Recording Engineers and Sound Editors. In-booth cameras ensure social distancing, while we have also recently developed our own streaming platform which we can offer exclusively to Molinare customers.

Foley

Molinare has two newly-built, world-class designed record rooms which have been designed specifically for foley so the team can continue to deliver award-winning sound for Film & TV and Video Games. Recent projects include Tom & Jerry, Sackboy, The Witcher, A Boy Called Christmas, and Black Narcissus.

Deliverables & QC

Our mastering team delivers file masters to the major studios, indpendents, VOD platforms, and distributors worldwide. Our highly-skilled Technicians work with cutting-edge applications offering automated file quality checks, as well as undertaking human eyeball checks on deliverables, noting every detail to make sure they adhere to all technical guidelines and delivery specifications.

VFX - Partner

“Since its creation in 1994, Atomic has remained one of London’s leading visual effects and animation boutiques for film, television and live events. In recent years we have become known for VFX work on a variety of projects from Hollywood blockbusters and tentpole streaming series to the best of European independent cinema. Recent film work includes IT: Chapter 2 (Warner Bros), Rocketman (Paramount) and Dumbo (Disney). Streaming work includes Avenue 5 & Game of Thrones (HBO), Stranger Things (Netflix), Mosquito Coast (Apple) and World on Fire (BBC). As part of the Molinare facilities, Atomic has taken space within our two central London buildings. With a core collaborative team of loyal supervisors, artists and animators, Atomic is a refreshing haven in which to create innovative visual effects, graphics and animation – no matter the size and scope of your project.

atomicarts.com

Meet the teams

Grading

Ross Baker

Head of Grading

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Vicki Matich

Senior Colourist

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Carl Thompson

Colourist

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Jake Davies

Junior Colourist

Colour Support & Deliverables

Mike Fawcett

QC and Mastering Specialist

Allen Francois

QC and Mastering Operator

Christina Tring

QC and Mastering Specialist

Olive Curran

Colour Assist

Harry Byrne

Colour Assist

Online

Dan Preston

Head of Online

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Scott Hinchcliffe

Senior Online Editor

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Laura Oberbichler

Online Editor

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David Tippell

Junior Online Editor

Kristina McDaid

Online Assistant

James Dwyer

Online Assistant

Jonathan Peel

Online Assistant

Sound Mix

Helen Miles

Re-recording Mixer

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Richard Pryke

Head of Scripted Mixing

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Tom Corbett

Re-recording Mixer

Nik Zivojinovic

Senior Mix Technician

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Yufeng Zhang

Mix Technician

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Arnold Antony

Mix Technician

Tobias Crane

Deliverables Mixer

Sound Edit

Glen Gathard

Sound Editor / Recordist

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Brad Rees

Scripted Sound Editorial Team Leader

Olly Freemantle

Sound Editor

Billy Poole

Dialogue Editor

Luke Barnfather

Junior Sound Editor

ADR

Foley

Glen Gathard

Sound Editor / Recordist

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Zoe Freed

Senior Foley Artist / Team Leader

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Rebecca Heathcote

Senior Foley Artist

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Francesca Bourne

Foley Mixer

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Guy Mallett

Foley Mixer

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Robby Brown

Foley Editor

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Zoe king

Foley Artist

Alex Robson

Sound Editor

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Cameron Speirs

Assistant Foley Artist

Sales

Jack Loughlin

Director of Sales

Nick Melville

Head of Drama & Film Sales

Post Management & Scheduling

Anna Maros

Post Production Manager

Chloe Hughes

Senior Post Production Manager

Charlotte Barnes

Senior Post Production Manager

Deanna Morley

Offline Coordinator

Sam Pugsley

Offline Coordinator

Dailies

James Vorley

Dailies, Data & Workflow Supervisor